creating a secondary chord progression for a song

[mangold]

if you gonna post the suggestion atleast explain it

sooo you want me to explain jazz theory to this guy when he can just get jazz chords off the net, and no be confused?

give him a link then

[UNCcrombie]

if you gonna post the suggestion atleast explain it

sooo you want me to explain jazz theory to this guy when he can just get jazz chords off the net, and no be confused?

i don't get confused easily, but there's no need to explain jazz theory to me when i dont have a full understanding of regular theory

ill make a diagram for everyone in a few minutes.

thanks

[gumbomadness]

if you gonna post the suggestion atleast explain it

sooo you want me to explain jazz theory to this guy when he can just get jazz chords off the net, and no be confused?

i don't get confused easily, but there's no need to explain jazz theory to me when i dont have a full understanding of regular theory

ill make a diagram for everyone in a few minutes.

thanks

you dont need to know squat for my diagram. ^_^ dont worry

[Tranman66]

if you gonna post the suggestion atleast explain it

sooo you want me to explain jazz theory to this guy when he can just get jazz chords off the net, and no be confused?

i don't get confused easily, but there's no need to explain jazz theory to me when i dont have a full understanding of regular theory

ill make a diagram for everyone in a few minutes.

thanks

you dont need to know squat for my diagram. ^_^ dont worry

good idea

[gumbomadness]

POSTED THE DIAGRAM

[a1075dd63aa12]

triads and barre chords, barre chords are thicker, triads are softer

[UNCcrombie]

is the diagram on your site, if so where?

[UNCcrombie]

nevermind

[Easy E]

Ive got a question, when you want to make a key change, is it best to change the key to one of the major chords in the original key, or do key changes have no set rules?

[gumbomadness]

Ive got a question, when you want to make a key change, is it best to change the key to one of the major chords in the original key, or do key changes have no set rules?

It sounds smoother if you change it with a major chord that both keyshave in common. ^_^...
but there are no rules anyway.

[Easy E]

so smoother with a relative minor for the most part?

[gumbomadness]

so smoother with a relative minor for the most part?

Oh.. ya, that would definitley work...
like D > Bminor or something..

[MWR]

so smoother with a relative minor for the most part?

Oh.. ya, that would definitley work...
like D > Bminor or something..

That would create either a Dmaj6 or a Bmin7 depending on which note is in the bass. The general idea behind it is the main rhythm plays simple major or minor chords and the second part adds harmonic extensions to it. So guitar one could play an open A (A, C#, E) and guitar two could play a Gsus2 (G, A, D) which would create an A7add11 (A,C#,E,G,D). It's a pretty simple way of making complex, piano-like chords. If you learn how to build chords and scales you will have an unlimited amount of options at your disposal.
It tends to work better when the first guitar is playing open or bar chords and the second is playing closed position triads. If both guitars are playing full chords it will sound muddy.

So who wants to start up that theory debate again...?

[DMBFan63]

so smoother with a relative minor for the most part?

Oh.. ya, that would definitley work...
like D > Bminor or something..

That would create either a Dmaj6 or a Bmin7 depending on which note is in the bass. The general idea behind it is the main rhythm plays simple major or minor chords and the second part adds harmonic extensions to it. So guitar one could play an open A (A, C#, E) and guitar two could play a Gsus2 (G, A, D) which would create an A7add11 (A,C#,E,G,D). It's a pretty simple way of making complex, piano-like chords. If you learn how to build chords and scales you will have an unlimited amount of options at your disposal.
It tends to work better when the first guitar is playing open or bar chords and the second is playing closed position triads. If both guitars are playing full chords it will sound muddy.

So who wants to start up that theory debate again...?

I would, but you own me in theory..I'm still learning much of it

[Pickles]

so smoother with a relative minor for the most part?

Oh.. ya, that would definitley work...
like D > Bminor or something..

That would create either a Dmaj6 or a Bmin7 depending on which note is in the bass. The general idea behind it is the main rhythm plays simple major or minor chords and the second part adds harmonic extensions to it. So guitar one could play an open A (A, C#, E) and guitar two could play a Gsus2 (G, A, D) which would create an A7add11 (A,C#,E,G,D). It's a pretty simple way of making complex, piano-like chords. If you learn how to build chords and scales you will have an unlimited amount of options at your disposal.
It tends to work better when the first guitar is playing open or bar chords and the second is playing closed position triads. If both guitars are playing full chords it will sound muddy.

So who wants to start up that theory debate again...?

great post