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Hello. I covered Gregory Isaacs' 'Sad to Know (You're Leaving)'. There are three tracks: one guitar and vocal, second vocal, second guitar. Thanks for the listen.

http://www.purevolume.com/mattmasarik

Thanks a lot for the feedback.

Here's my rendition of Steve Miller's, "The Joker".

I kind of ran out of ideas in the major scale for the solo so I started playing in the blues scale; I think it worked nicely.

Thanks for the listen.


http://www.purevolume.com/mattmasarik

Two covers are up on my purevolume site ( purevolume.com/mattmasarik ); the first is "Your Song" by Elton John and the second is "Angeles" by Elliott Smith. Enjoy!

Sure, Pat.

I'm going to post this in a new thread as well since there's a different song along with "Angeles" up.

purevolume.com/mattmasarik

Thanks!

http://www.sendspace.com/file/rxm9ba -- Angeles, Elliott Smith cover

http://www.sendspace.com/file/dhufy8 -- Stir It Up, Bob Marley


As per usual, I didn't really take time to make anything perfect, but for the few takes I took, I think they both worked out well. Stir It Up has five tracks (two ...

Hey everybody; it's been a while. I'd love to post something, so if someone could help me out with hosting it for a while, I'll lay by the fire for the evening with you. My aim is mattyboombatty5. Thanks.

placing your finger on a string directly above a fret without depressing the string, then playing the string to get a bell-like tone. The best harmonics are the 5th, 7th, and 12th frets.

and 19th fret and over the soundhole

19th fret harmonic = 5th fret harmonic because you're cutting the wave ...

well first you have to know what harmonics are

in physics, the word harmonics refers to the normal modes of vibrations for standing waves...like in the diagram above, if you pluck an open string, it is the first harmonic and it has the fundamental frequency, f1...now the second harmonic is the ...

no one has ever tabbed that song

ever

not even like a few posts down below yours

start by talking while you play, like read a newspaper out loud and that will help you get that dual coordination down

you're all ridiculous

that f# on the d string on the riff should just be an f

and don't worry about getting all the strings to ring, it'll come and it really doesn't matter...they're just power chords anyway...when playing jack's stuff, just worry about getting good sound from your muting and shiat

that's what i thought you meant...but just to add to the thread a little, when i try to make unique chord voicings, i try and use open strings as much as i can