gravedigger wrote:I thought the point of naming chords is to make it easier
x-12-11-12-13-x to me is A7b10 . the A7 takes care of 12-11-12 and the b10 takes care of the other note which is an octave above a minor 3rd up from the root note A.
any takers on this "logic'?
This is very close. The
X
13
12
11
12
X
Chord is 'officially' called an A7#9
It can be heard in a lot of blues-ish rock, such as Jimi Hendrix's Come On (Part I) , etc.
gravedigger wrote:I thought the point of naming chords is to make it easier
x-12-11-12-13-x to me is A7b10 . the A7 takes care of 12-11-12 and the b10 takes care of the other note which is an octave above a minor 3rd up from the root note A.
any takers on this "logic'?
This is very close. The
X
13
12
11
12
X
Chord is 'officially' called an A7#9
It can be heard in a lot of blues-ish rock, such as Jimi Hendrix's Come On (Part I) , etc.
-SMetz
ah yes, it makes more sense to call it a #9 than a b10. the chord has kinda the same effect as a diminished chord eh? it can fit anywhere on all keys.